Act II: Part I — Ravetopia’s Cut (Tracks 1–3)
This playlist is intended to be listened to in consecutive order.
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Continue to the bottom of the article for the YouTube Music version of this playlist.
Tune into a live AMA (Ask Me Anything) here on Substack with Jeremy Mercier and Ravetopia on Saturday, December 20th!
1. Do It Lady (Chit Inspired) — Ravetopia
“Do It Lady (Chit Inspired)” kicks the door open with pure character energy — the kind of opener that doesn’t ask permission, it just arrives, shoulders first. It reads like Ravetopia putting a flag in the ground: this act is going to be playful, a little cocky, and fully committed to the bit. The “Chit Inspired” tag matters here — it frames the whole track like a persona-driven setpiece, where swagger is part of the arrangement.
As Track 1, it does what an opener should: sets the temperature, establishes the voice, and makes it obvious we’re not chasing “background music.” This is front-of-stage music. Big grin. Sharp edges. The “do it” in the title isn’t a suggestion — it’s a dare.
2. Father Figure — Taylor Swift (Explicit)
Then “Father Figure” flips the lighting. Where Track 1 struts, this one stares — more narrative gravity, more emotional architecture. The (Explicit) marker is a little warning label on the bottle: whatever’s inside isn’t meant to be polite. It signals a version of Taylor Swift that’s willing to let the seams show, to say the quiet parts out loud instead of dressing them up in metaphor and glitter.
In the flow of this cut, it’s a smart placement at #2: it deepens the palette without killing momentum. It’s the “wait… we’re going there?” moment — the one that makes the playlist feel like a story instead of a stack of songs.
3. APT. — ROSÉ, Bruno Mars
“APT.” is where the act starts to spark — sleek pop chemistry with two very different kinds of starpower in the same room. ROSÉ tends to bring that bright, knife-edge vulnerability; Bruno Mars is basically a one-man groove machine when he wants to be. Together, “APT.” lands like a late-night scene change: city lights, fast decisions, the feeling that something is about to happen (or already did, and now you’re replaying it frame-by-frame).
As Track 3, it functions like a bridge between attitude and emotion — the connective tissue that makes the first three tracks feel like an intentional sequence: persona → confession → electricity.
YouTube Music Version (click the image)
